The Disappearance of Geometry
The Disappearance of Geometry
Kubizm and Abstrakcja
Wampiry i nietoperze and Fantastyka i science fiction
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Lead time
Lead time
The completion time depends on several factors, such as the type of technique, paint drying time, image size , the need for manual finishing and securing the image.
Turnaround time for Oil Giclée (hand-finished)
✅ Giclée print on canvas
✅ Pigment print drying
✅Texturing, hand painting and finishing
✅ Drying – (depending on layer thickness and type of medium, image size)
✅ Stretching the canvas on the stretcher frame
✅ Quality control and packaging
⏳ Total turnaround time: 3 -7 days
Delivery time for Available Immediately, Ready-made images
✅ This means that the painting is painted and ready to be shipped the next business day.
1. Title
"The Disappearance of Geometry"
2. Description of the image
The figure is no longer at the center of the painting. There are only fragments—triangles, broken lines, blurred contours that, moments ago, formed a body, a face, an identity. Now everything dissolves. The structure disintegrates in rhythmic waves, as if form itself had ceased to exist. The background—vast, cold, almost cosmic—offers no return, only absorption. This is not death. It is something deeper: a dissolution into the night.
3. Technology
The painting is oil on canvas, with intense impasto in the forms of the dispersing fragments. Lines and shapes are layered, highly expressive. The background light is modeled with glazes and a soft blur to contrast with the sharpness of the fade.
4. Style
Cubism morphing into abstraction—the line between form and emptiness has been blurred. A style that depicts not form, but its absence. This is painting as a last gasp, an echo of form that once existed.
5. Colors
Cool shades of blue and gray, black, broken by single streaks of silver and traces of blood – symbols of memory and transformation. Colors don't describe the night – they are the night.
6. Invoice
The texture is highly varied: impasto in the central area—the last remnants of shapes—against a smooth, muted background. The painting gives the impression of physical dissolution—from matter to nothingness.
7. Inspiration
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Kazimir Malevich (“Black Square”) – for the idea of form as absence.
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Pablo Picasso (late period) – for the destruction of identity through geometry.
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Andrei Tarkovsky (“The Sacrifice”) – for transcendence through disappearance.
8. Message and interpretation
"The Disappearance of Geometry" marks the end of a journey, not only physical but also symbolic. It is an image of constant transformation, in which even form as we know it must pass away. This is not emptiness—it is solace. The vampire does not die. He dissipates. In space. In memory. In the very act of being non-being.
9. Originality
This work doesn't depict a protagonist—it erases one. "The Disappearance of Geometry" is like the silence after a long story—it doesn't end the narrative, but allows it to linger within us. It's an image that doesn't disappear—it remains, fragmented into forms that stay with us.
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