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Falling asleep

Falling asleep

Realizm and Ekspresjonizm

Wampiry i nietoperze and Fantastyka i science fiction

Olej na płótnie

Regular price 1.050,00 zł PLN
Regular price Sale price 1.050,00 zł PLN
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Production technique
Image size

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Lead time

The completion time depends on several factors, such as the type of technique, paint drying time, image size , the need for manual finishing and securing the image.

Turnaround time for Oil Giclée (hand-finished)

Giclée print on canvas
Pigment print drying
✅Texturing, hand painting and finishing
Drying – (depending on layer thickness and type of medium, image size)
Stretching the canvas on the stretcher frame
Quality control and packaging

Total turnaround time: 3 -7 days

Delivery time for Available Immediately, Ready-made images

This means that the painting is painted and ready to be shipped the next business day.

1. Title

"Falling Asleep"

2. Description of the image

Deep in a forgotten crypt, where time has long since ceased to matter, a vampire lies motionless—no longer a creature of the night, but a memory. He rests on an ancient sarcophagus, his hands folded across his chest as if in silent prayer. His face is calm, closed—no terror, no triumph. Around him lie candles that have long since burned out, and roses—only shadows of red, fading from memory.

Cobwebs drape the walls, and moonlight seeps through cracks in the ceiling, caressing the silhouette like a benediction. This is not a grave—this is a place of rest. Not death—but sleep.

3. Technology

The painting was painted in oil on canvas in a wide 2:1 format, with a distinct use of impasto on the stone, fabrics, and candle details. Short, pinpoint brushstrokes add texture depth, particularly in the dust and rose patterns. The entire piece is painted with a subtle, narrative slowness—as if each brushstroke were a sigh.

4. Style

The style is in the spirit of Romantic realism with symbolic depth. The painting is more meditative than dramatic – a contemplation of closure, silence, and reconciliation with fate. The composition is broad and static – nothing is about to happen, everything has already happened.

5. Colors

A subdued, cool, and gentle palette—grays, muted blues, muted crimson pinks, and timeless whites. These colors don't shout—they tell a story. They suggest an eternity that doesn't hurt, but soothes.

6. Invoice

Texture is strongest in the stone, dried flowers, and draperies—all rendered with equal attention, as if each element were equivalent to the vampire's presence. The figure itself—smooth, almost ephemeral—as if about to vanish with the first light of day.

7. Inspiration

  • Caspar David Friedrich – for the silence and spirituality of the ruins.

  • Odilon Redon – for the gentleness of the darkness and the delicacy of the symbols.

  • Andrei Tarkovsky – for the sanctity of silence and light.

8. Message and interpretation

"The Sleeper" isn't about death—it's about rest. About choosing nonexistence in a world that knows no silence. It's a film about reconciliation—not with fate, but with time. The vampire hasn't been defeated—he has departed the scene. It's a dream that needs no awakening.

9. Originality

It's an image that doesn't dominate, but endures. "Sleeping" is the quiet end of a story that needs no punch line. It's a work that resonates in the heart—not like a sound, but like an echo. True immortality is not movement—it is peace.

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All graphics and descriptions constitute intellectual property and are protected by law. Any copying, distribution, or publication without the express consent of the author is strictly prohibited and may result in legal liability.

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