Night in the Cubes
Night in the Cubes
Kubizm
Wampiry i nietoperze and Fantastyka i science fiction
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Lead time
Lead time
The completion time depends on several factors, such as the type of technique, paint drying time, image size , the need for manual finishing and securing the image.
Turnaround time for Oil Giclée (hand-finished)
✅ Giclée print on canvas
✅ Pigment print drying
✅Texturing, hand painting and finishing
✅ Drying – (depending on layer thickness and type of medium, image size)
✅ Stretching the canvas on the stretcher frame
✅ Quality control and packaging
⏳ Total turnaround time: 3 -7 days
Delivery time for Available Immediately, Ready-made images
✅ This means that the painting is painted and ready to be shipped the next business day.
1. Title
"Night in the Cubes"
2. Description of the image
A symphony of forms and fragments unfolds on the canvas – the vampires don't have bodies, but rather an arrangement of solids. Their faces – divided into angles and planes – seem to gaze in multiple directions simultaneously. Fangs are broken into triangles, eyes like luminous rectangles, wings transform into sharp rhombuses. Everything throbs with movement and tension – as if the night were a labyrinth, and they its architecture. The scene is dynamic, chaotic, yet perfectly ordered in its own way – like fear, which has no shape but direction.
3. Technology
The painting is oil on canvas, with a strong impasto emphasizing the texture of the geometric surfaces. The paint is applied in layers, aggressively, with deliberate brutality. The brushes cut through the space like scalpels—every angle carries weight.
4. Style
The style is classic Cubism with an expressive touch of symbolism. This isn't a representation of figures—it's a deconstruction of their existence. The vampires here aren't creatures, but emotions broken down into solids. The style demands engagement from the viewer—every form is a code.
5. Colors
Black, deep shades of red, navy blue, and dark purple dominate, broken up by silver and blood-red accents. The palette is aggressive, unsettling, yet cohesive—as if moonlight were passing through a prism of fear.
6. Invoice
The texture is strong, rhythmic, with distinct protrusions on fragments of bodies and shadows. The wings, collars, and mouths are almost three-dimensional—rough, predatory. The background merges with the form—as if space were an entity unto itself.
7. Inspiration
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Pablo Picasso (analytical period) – for the deconstruction of form and meaning.
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Georges Braque – for spatial thinking and background dynamics.
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HR Giger – for dark, organic geometry.
8. Message and interpretation
"Night in the Cubes" is an image of the impossibility of capturing a creature. It's not just the terror of the vampire—it's the terror of not knowing what he is. Cubism here isn't about deformation, but about revelation: what does fear look like broken down into shapes? How is instinct constructed? It's a confrontation not with the beast, but with an attempt to understand it.
9. Originality
This is a unique work – because instead of presenting a myth, it dissects it. "Night in the Cubes" doesn't provide answers, only questions. And it leaves the viewer not with an emotion – but with the geometry of emotions.
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